Stéphane Vilar trained in classical percussion from the age of eight, at twelve he was a jazz drummer. At seventeen he played with pianist Jeff Gilson. Moreover, he figures on the mythical album Œil Vision in the company of the cream of French jazz musicians: bassists Henri Texier and Gilbert Rovère, saxophonist Jean Louis Chautemps and violinist Jean Luc Ponty.

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After studying for his baccalauréat, he studied music writing and composed the music for the play of Beaumont and Fletcher «Le chevalier au pilon flamboyant » ("The knight with the flaming pestle").

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The Musician Graeme Allwright then introduces him to Marc'O, who was then the director of the theater school of the American Center Boulevard Raspail. The director who is looking for musicians to play some rock n 'roll in his new project entitled "The Idols" hires Vilar in the company of jazz pianist Patrick Greussay, saxophonist Didier Malherbe (among others future Gong and Clearlight) guitarist Didier Léon who also features on the Barney Wilem’s album Moshi in 1972. Stéphane then recruited, through Jérôme Savary, Jacques Zins, jazz bassist, who began his career in high school before playing on Graeme Allwright’s first album, and to accompany Colette Magny‘s galas in the Paris region, before she met the pianist François Tusques.

The idol, the situationist play, where the musicians who baptized The Rollsticks play, is interpreted by the actors Bulle Ogier, Jean-Pierre Kalfon and Pierre Clementi. It was performed every evening with great success at the Bilboquet for one month in June 1966, in Brussels at the theater 347, then in Bobino in October of the same year. The piece will then be adapted, with the same participants joined by Valérie Lagrange, for a feature film released in 1968.